EYE OF THE BEHOLDER SPEAKS ITS OWN LANGUAGE

This mixed-media painting is a textured conversation about perception and meaning. Built through layered surfaces, symbols, and tactile marks, the work suggests that seeing is not passive—it is interpretive, personal, and shaped by experience. The eye becomes both observer and translator, decoding symbols through memory, culture, and emotion rather than fixed rules.

The symbols scattered across the surface act like fragments of an unspoken language. They do not offer a single narrative, but multiple entry points, inviting each viewer to read the work differently. Texture plays a critical role: raised areas, worn sections, and interruptions mirror how understanding is formed—through accumulation, erosion, and reinterpretation over time.

Eye of the Beholder Speaks Its Own Language challenges the idea of universal meaning. What is clear to one viewer may remain abstract to another, and that difference is the work’s strength. The painting resists authority and embraces plurality, suggesting that truth is not imposed but discovered. In this space, perception becomes expression, and looking becomes an act of translation—where every eye speaks fluently in its own visual tongue.